Masdan Mo Ang Kapaligiran by Asin

 

Wala ka bang napapansin sa iyong kapaligiran?

Kay dumi na ng hangin, pati na ilog natin

Refrain

Hindi na masama and pag-unlad

at malayu-layo na rin ang ating narating

Ngunit masdan mo ang tubig nation sa dagat 

Dati'y klay asul ngayo'y naging itim

Ang mga duming ating ikinalat sa hangin

Sa langit huwag na nating paabutin

Upang kung tayo'y pumanaw man, sariwang hanign

Sa langit matitikman

Referain 2

Mayron lang aking hinihiling 

Sa aking pagpanaw sana ay tag-ulan

Gitara ko ay aking dadalhin

Upang sa ulap nalang tayo magkantahan

Ang mga batang ngayon lang isinilang

May hangin pa kayang matitikman?

May mga ilog pa kayang lalanguyan?

Refrain 3

Bakit di natin pag-isipan

Ang nangyayari sa ating kapaligiran

Hindi na masama ang pag-unlad

Kung hindi nakakasira ng kalikasan

Darating ang panahon mga ibong gala

Ay wala nang madadapuan

Masdan mo ang mga punong dati kay tatag

Ngayo'y namamatay dahil sa ting kalokohan

Refrain 4

Lahat ng bagay na narito sa lupa

Biyayang galing sa Diyos kahit nong ika'y wala pa 

Iingatan at wag nang sirain pa

Pagkat pag Kanyang binawi tayo'y mawawala na

Repeat Referain 2

Mayron lang aking hinihiling 

Sa aking pagpanaw sana ay tag-ulan

Gitara ko ay aking dadalhin

Upang sa ulap nalang tayo magkantahan

Ang mga batang ngayon lang isinilang

May hangin pa kayang matitikman?

May mga ilog pa kayang lalanguyan?

What does the song tells us?

The Mass (Lithurgy)

 

The Mass is a form of sacred musical composition, a choral composition that sets the invariable portions of the Eucharistic Liturgy.

Kyrie > the first movement of a setting of the Ordinary of the Mass

Lord have mercy

Christ have mercy

Lord have mercy

Gloria > celebratory passage praising God the father and the Christ

Glory to God in the highest and on the earth to men of good will. We will praise you, we glorify You

 and we give thanks for YOU and GREAT VALLEY

Credo > the longest test of a song mass

I believe in heaven and earth and is one

Traditional Instruments in Luzon

Instrumental Music 

Bamboo Stamping Tubes (Tongatong),

Bamboo Pipes in a Row (Saggeypo),

Bamboo Buzzers (Bungkaka),

Bamboo Jew’s Harp (Kubing),

Patteteg (Bamboo Leg Xylophones),

Gongs (Gangsa Topayya and Palook) 

‘Hudhud Hi Aliguyon’ : Alamat Ni Aliguyon

 

ISANG ARAW nuong unang Panahon, sa nayon ng Hannanga, isang sanggol na lalaki ang isinilang sa mag-asawang Amtalao at Dumulao. Ang pangalan niya ay Aliguyon. Siya ay matalino at masipag matuto ng iba’t ibang bagay. Katunayan, ang napag-aralan niyang mahahalaga mula sa mga kasaysayan at pangaral ng kanyang ama ay marami. Natuto siya kung paano makipag-bakbakan nang mahusay, at paano umawit ng mga mahiwagang gayuma (encantos, magic spells). Kaya kahit nuong bata pa, tiningala na siya bilang pinuno, at hanga ang mga tao sa kanya.

Nang mag-binata si Aliguyon, ipinasiya niyang sagupain si Panga-iwan, ang kaaway ng kanyang ama, sa nayon ng Daligdigan. Subalit ang sumagot sa kanyang hamon (reto, challenge) ay hindi si Panga-iwan. Ang humarap sa kanya ay ang mabangis na anak nito, siPumbakhayon, marunong ng hiwaga at bihasa rin sa bakbakan tulad niAliguyon.

Hindi naaling, pinukol ni Aliguyon ng sibat si Pumbakhayon. Kasing bilis ng kidlat, umiktad si Pumbakhayon upang iwasan ang sibat at, kagila-gilalas, sinalo sa hangin ang sibat ng isa niyang kamay! Wala pang isang kurap ng mata, binaligtad ni Pumbakhayon ang sibat at hinagis pabalik kay Aliguyon. Umiwas din si Aliguyon at sinalo rin ng isang kamay sa hangin ang humahagibis na sibat. Binaliktad din niya at ipinukol uli kay Pumbakhayon.

Pabalik-balik at walang tigil, naghagisan at nagsaluhan ng sibat siAliguyon at Pumbakhayon hanggang umabot ng 3 taon, hindi pa rin tumigil ang bakbakan, at walang nagpakita ng pagod o pagsuko. Subalit sa bangis at dahas ng kanilang paghahamok, kapwa sila humanga sa giting at husay ng kalaban, at pagkaraan ng 3 taong bakbakan, natuto silang igalang ang isa’t isa.

Biglang bigla, tumigil sina Aliguyon at Pumbakhayon at nahinto, sa wakas, ang bakbakan. Nag-usap at nagkasundo sila ng payapa (paz, peace) ng kanilang nayon ng Hannanga at Daligdigan. Buong lugod na sumang-ayon lahat ng tao sa 2 nayon, at ipinagdiwang nila ang kampihan ng 2 bayani.

Sa paglawak ng katahimikan, umunlad ang 2 nayon. Naging matalik na magkaibigan sina Aliguyon at Pumbakhayon. Nang sapat na ang gulang ni Aliguyon, pinili niyang asawa si Bugan, ang batang-batang kapatid na babae ni Pumbakhayon. Inalagaan niya sa bahay si Buganhanggang lumaki itong napaka-gandang dalaga.

Ang pilining asawa naman ni Pumbakhayon ay ang kapatid na babae niAliguyon, si Aginaya. Ang 2 familia nila ay yumaman at iginalang ng lahat sa Ifugao.

ANG PINAGKUNAN

‘Hudhud hi Aliguyon,’ An Ifugao Legend of the Hero, Aliguyon,Introduction to Philippine Folklore,http://folklore.philsites.net/stories/heroism1.html

Musiko bumbong, Zarsuela, Komedya and Marching Band

 

Philippine Rondalla

 

During the Spanish period in the East Indies, the rondalla was brought to the Philippines by the Spaniards. In the early Philippines, certain styles were adopted by the natives, especially guitar and banduria used in the Pandanggo, the Jota, and the Polka. The use of the term comparza was common, however, during the American period in the Philippines, the term rondalla became more used. At present, rondalla, in the Philippines, refers to any group of stringed instruments that are played using the plectrum or pick.^[4]The Filipino instruments are made from indigenous Philippine wood and the plectrum, or picks, are made from tortoise-shell. Other stringed instruments composing the standard Filipino rondalla are the bandurria, the laúd, the octavina, the Twelve-string guitar, the Ukulele, the bajo de uñas or double bass, the Guitarrón mexicano, and other Filipino-made instruments modeled and developed after the guitar. The Philippine rondalla’s repertoire include folk songs such as the collar de sampaguita, la bella filipina, No te vayas a Zamboanga, Balitaw, the Kundiman, the "Zarzuela", the "Subli", the "Harana", the "Tinikling", and the "Cariñosa".

https://en.wikipedia.org/wiki/Rondalla#Philippines

The bandurria plucked chordophone from Spain, primarily used in Spanish Folk music, but also found in countries that were once colonies of Spain.

The modern bandurria has 12 strings (6 pairs). The strings are tuned in unison pairs, going up in fourths from the low G#. The lowest four strings are a major-third above those of a standard guitar and the highest two strings are a fourth above a standard guitar, i.e. G♯, c♯, f♯, b, e and a.

• 

  Bandurria (front view)
 
• 

  Bandurria (back view)
 
• 

  Bandurria (tailpeice)
 
• Bandurria (tuning head)

Laúd  is a plectrum-plucked similar to the bandurria, but with a longer neck.

Traditionally it is used by folk string musical groups, such as the Filipino Rondalla string ensemble, together with the guitar and the bandurria. Like the bandurria, it is tuned in fourths, but its range is one octave lower.

The Filipino version has (from bass to treble) one single course, two double courses and three triple courses (i.e. fourteen strings), and is tuned a step lower, F# B E A D G.

The octavina or Philippine octavina is a guitar-shaped Filipino instrument with a tuning similar to the Laud. Originally a Spanish instrument, the octavina was soon incorporated into other cultures, notably including Filipino culture.

The Octavina has a set of 14 string  in 6 courses: 6th-single, 5th-double, 4th-double, 3rd-triple, 2nd-triple and 1st-triple.It is numbered starting from the bottom. It is tuned similarly to that of the bandurria, but one octave lower, giving:

• 1st: G (sol)
• 2nd: G (sol)
• 3rd: G (sol)
• 4th: D (re)
• 5th: D (re)
• 6th: D (re)
• 7th: A (la)
• 8th: A (la)
• 9th: A (la)
• 10th: E (mi)
• 11th: E (mi)
• 12th: B (si)
• 13th: B (si)
• 14th: F# (fi)

Bajo de Uñas- a bass guitar which looks like a big guitar and is played by a
plectrum. It plays the bass part and serves as a rhythmic support.

Harana (Spanish ‘jarana’) – serenade; traditionally sung by a young man to a

young woman outside the young woman’s house as a profession of his love
to her. usually accompanied by a guitar.

Kumintang- originally a war song, this song in triple time can be of any topic:
love, resentment, or a social commentary. It can also be a dance or a
combination of song and dance in this style.

Kundiman (kung hindi man) – an art song about the love of a man for a
woman but can also be about patriotic sentiments, the woman as an object of
love and sacrifice of the man representing the Philippines whose countrymen
are willing to do sacrifices for freedom. It usually starts in a minor key and
then goes to the major key.

Polka- a lively dance in duple time.

Pandanggo- originating from the fandango of Spain, it is a fast-paced dance
in triple time. Usually, dancers use accessories such as hats and lighted
candle in a glass

Rondalla- an ensemble of plucked instruments and sometimes with
percussion

Bandurria- 14-stringed pear-shaped lute with a round sound hole and played
with a plectrum, it plays the melody in the rondalla ensemble.

Laud- 14-stringed pear-shaped lute with f-shaped sound holes and played
with a plectrum, it plays the alto part or counter melody in the rondalla
ensemble. It is bigger than the bandurria.

Octavina- 14-stringed lute which is shaped like a small guitar and played with
a plectrum, it plays a counter melody or harmony fill-in in the rondalla
ensemble.

Bajo de Uñas- a bass guitar which looks like a big guitar and is played by a
plectrum. It plays the bass part and serves as a rhythmic support.

Religious festivals in the Philippines